German banknotes 50 Deutsche Mark banknote 1989 Balthasar Neumann

Germany banknotes 50 Deutsche Mark bank note Deutsche Bundesbank
German banknotes 50 DM Deutsche Mark
Germany Paper Money 50 Deutsche Mark currency image gallery
German paper money 50 Deutsche Mark
Currency of Germany 50 DM Deutsche Mark banknote 1989 issued by the Deutsche Bundesbank
50 Deutsche Mark  Pre-Euro German banknote
German banknotes, German mark banknotes, Deutsche Mark, German paper money, German bank notes, Germany banknotes, Germany paper money, Germany bank notes, German currency, German East African banknotes, German Rentenmark.

Obverse: Portrait of Balthasar Neumann (1687-1753), baroque architect. In the background, historic buildings from the town of Würzburg.
Reverse: Partial view of the stairway of the Würzburg residence and side-view of the St Benedict abbey church in Neresheim.

Deutsche Mark was the official currency of West Germany (1948–1990) and Germany (1990–2002) until the adoption of the euro in 2002.


Germany banknotes - Germany paper money
Deutsche Bundesbank - German Federal Bank
1989-1996 issue

The fourth series of German mark banknotes was introduced in 1990 by the Bundesbank to counter advances in forgery technology. The notes depicted German artists and scientists together with symbols and tools of their trade. There were 5 Deutsche Mark, 10 Deutsche Mark, 20 Deutsche Mark, 50 Deutsche Mark, 100 Deutsche Mark, 200 Deutsche Mark, 500 Deutsche Mark and 1000 Deutsche Mark denominations.








Johann Balthasar Neumann
Johann Balthasar Neumann (January 27, 1687 – August 19, 1753), usually known as Balthasar Neumann, was a German military artillery engineer and architect who developed a refined brand of Baroque architecture, fusing Austrian, Bohemian, Italian, and French elements to design some of the most impressive buildings of the period, including the Würzburg Residence and the Basilica of the Fourteen Holy Helpers, called Vierzehnheiligen in German.
The Würzburg Residence is considered one of the most beautiful and well proportioned palaces in Europe and the Basilica of the Fourteen Holy Helpers is considered by some as the crowning work of the period.
Neumann was an architect of St. Paulinus' Church in Trier, designing most of the internal elements. His final work is the Church of the Visitation of Mary, a masterpiece of the Baroque style located near Eltmann am Main.

Würzburg Residence
The Würzburg Residence (German: Würzburger Residenz) is a palace in Würzburg, southern Germany. Johann Lukas von Hildebrandt and Maximilian von Welsch, representants of the Austrian/South German Baroque were involved in the construction, as well as Robert de Cotte and Germain Boffrand, who were followers of the French Style. Balthasar Neumann, architect of the court of the Bishop of Würzburg, was the principal architect of the Residenz, which was commissioned by the Prince-Bishop of Würzburg Johann Philipp Franz von Schönborn and his brother Friedrich Carl von Schönborn in 1720, and completed in 1744. The Venetian painter Giovanni Battista Tiepolo, assisted by his son, Domenico, painted frescoes in the building.
Interiors include the grand staircase, the chapel, and the grand salon. The building was dubbed the "nicest parsonage in Europe" by Napoleon. It was heavily damaged during World War II, and restoration has been in progress since 1945.


Neresheim Abbey
Neresheim Abbey or the Abbey of Saints Ulrich and Afra, Neresheim (German: Abtei Neresheim or Abtei der heiligen Ulrich und Afra) is located above the town of Neresheim in Baden-Württemberg, southern Germany. It is now a Benedictine monastery and is part of the Beuronese Congregation.
The church - The medieval monastery had a roman basilica but in 1695 it was transformed to a baroque church. The present abbey was erected between 1747 and 1792 from plans by Balthasar Neumann. After his death in 1753 his disciples and followers continued his work. It is a masterpiece of European baroque. its famous ceiling paintings were by Martin Knoller from Steinach, Austria. They shows Jesus Christ in the centre surrounded by scenes from his life.