Pages

▼

Danzig 10 Gulden 1924 Bank von Danzig

Danzig 10 Gulden
Danzig 10 Gulden 1924
Danzig banknotes 10 Gulden
Bank von Danzig 10 Gulden 1924
Danzig (Gdansk) banknotes: 10 Gulden 1924 Bank von Danzig

Obverse: Artushof in Danzig (Artus courtyard) at center. Coat of arms of Free City of Danzig.
Reverse: Bank von Danzig - Zehn Gulden; St. Christophorus with Jesus is depicted on West Side of Great Hall. This belongs to the Bank of the Fraternity of St. Christophorus or the Luebeck Fraternity. Artus Court, Guild Hall, Gdansk, Poland.

Danzig banknotes - Danzig paper money




Artus Court - Danzig Gdansk, Poland
The Artus Court, formerly also Junkerhof, (Polish: Dwór Artusa, German: Artushof) is a building in the centre of Gdańsk, Poland (German: Danzig), at Długi Targ 44, which used to be the meeting place of merchants and a centre of social life. Today it is a point of interest of numerous visitors and a branch of the Gdańsk History Museum.
The name was taken from the very popular medieval legend of King Arthur - a symbol of chivalry and gallantry. First in England, then in other European countries, his name was given to the houses where knights and aristocrats used to meet. In Poland Artus courts were founded and visited by bourgeoisie. There were several courts in Rzeczpospolita but the one in Gdańsk was by far the most famous. In the early 14th century Artus Courts existed in the Hanseatic towns of Elbing (Elbląg), Riga and Stralsund and similar courts like the House of the Blackheads at Riga and Tallinn. It was home to six fraternities which took their names from benches (Banken), the Reinhold's, St. Christopher's or Lübecker, Marienburger, Biblical Magi's, Counsillors' and the Dutch bench. These Confraternities were usually organized according to the merchant's or shipowner's trade relations, e.g. with Lübeck, the Netherlands or Poland and gathered the local elite - members of aristocracy and wealthy bourgeoisie. Already in 1492 merchants from England were allowed to appear at the Court. The entrance was banned for craftsmen, stall-keepers and hired workers. Wealthy merchants and visitors from abroad gathered here in the evenings. They paid for beverages in advance: 3 Schillings in the 17th century. Initially, at least in theory, talking about dealings was forbidden in the Court as the yard in front of it was designated for such purposes. Different performances took place in the evenings - musicians, singers, rope-dancers and jugglers came to amuse the visitors. Although they were officially banned, gambling, dice and card games as well as various bets were very popular. Normally only beverages and small snacks were served, but sometimes big feasts, which lasted even for a couple of days, were organized there. Especially at the end of the 17th century the feasts organized with great splendour began to turn into all-night drinking bouts. More and more complaints about the customs in the Court were made.
However, not only social meetings took place in the Court. In the 17th century librarians presenting books printed in Danzig appeared there, as well as painters with their art; the banning order for other tradesmen did not apply to them.

The heyday of the Artus Court falls into 16th and 17th century, but its history is much longer. The name of the building "curia regis Artus" (The Court of King Artus), which was built in the years 1348-1350, appeared for the first time in 1357 in the municipal note about the land rental from 1350.

Another building was probably built in 1379. Its traces were probably found during the archeological excavations in 1991. This building of the Court burnt down in 1476. It was reconstructed few years later, and in 1552 a new façade was constructed which was once more rebuilt in 1617 by Abraham van den Blocke in the style of Dutch Mannerism. The building was adorned with statues of antique heroes (Scipio Africanus, Themistocles, Marcus Furius Camillus and Judas Maccabeus), allegories of strength and justice above and the statue of Fortuna on the gable. Medallions with busts of King of Poland Sigismund III Vasa and his son Władysław IV Vasa, who was a prince at that time, were placed on each side of the portal.

Throughout the Lutheran Reformation the Reinhold's bench organized an anti-catholic carnival play in 1522, which was staged inside the court.