Pages

Iran 50 Rials banknote 1932 Reza Shah Pahlavi

Iran banknotes 50 Rials bank note 1932 Reza Shah Pahlavi
First series of 50 Rials banknote of Reza Shah era
Iranian Persian Currency 50 Rials banknote 1932
Iranian paper money 50 Rials
Banknotes of Iran: First series of 50 Rials banknote of Reza Shah Pahlavi era 1932 - AH1311, Bank Melli Iran - National Bank of Iran.

Obverse: Portrait of Reza Shah Pahlavi wearing a Pahlavi hat (full face) at left, all the scripts on the obverse are in Farsi. Panoramic view of Chehel Sotoun Palace “Forty Columns”, Palace of the Forty Columns in Isfahan.
Reverse: Imperial Emblem of Iran during Pahlavi Dynasty (Lion and Sun with the Kiani Crown) in ornamental circle, the value in figures 50 at each of the four corners.
Banknotes of this issue were signed by Dr. Kurt Linden Blatt & Dr. Ali Alamir.
Printed by American Bank Note Company, New York.

Iran Banknotes
Bank Melli Iran - National Bank of Iran - Banque MelliƩ Iran
 "Shah Reza Facing Front" SH1311 - 1932 Issue

5 Rials    10 Rials    20 Rials    50 Rials    100 Rials    500 Rials



Chehel Sotoun

   Chehel Sotoun (also Chihil Sutun or Chehel Sotoon;‎ literally: “Forty Columns”) is a pavilion in the middle of a park at the far end of a long pool, in Isfahan, Iran, built by Shah Abbas II to be used for his entertainment and receptions. In this palace, Shah Abbas II and his successors would receive dignitaries and ambassadors, either on the terrace or in one of the stately reception halls.
   The name, meaning "Forty Columns" in Persian, was inspired by the twenty slender wooden columns supporting the entrance pavilion, which, when reflected in the waters of the fountain, are said to appear to be forty.
   As with Ali Qapu, the palace contains many frescoes and paintings on ceramic. Many of the ceramic panels have been dispersed and are now in the possession of major museums in the west. They depict specific historical scenes such as a reception for an Uzbek King in 1646, when the palace had just been completed; the welcome extended to the Mughal Emperor, Humayun who took refuge in Iran in 1544; the battle of Taher-Abad in 1510 where the Safavid Shah Ismail I vanquished and killed the Uzbek King. A more recent painting depicts Nader Shah's victory against the Indian Army at Karnal in 1739. There are also less historical, but even more aesthetic compositions in the traditional miniature style which celebrate the joy of life and love.
   The Chehel Sotoun Palace is among the 9 Iranian Gardens which are collectively registered as one of the Iran’s 17 registered World Heritage Sites under the name of the Persian Garden.