Iran 100 Rials Commemorative Banknote 1971 2500 year celebration of the Persian Empire
Banknotes of Shah Mohammad Reza Pahlavi era
This 100 Rials is published on the occasion of the 2500th anniversary of the Persian empire foundation.
Bank Markazi Iran - Central Bank of Iran
Iranian banknotes, Iranian paper money, Iranian bank notes, Iran banknotes, Iran paper money, Iran bank notes.
Obverse: Portrait of Mohammad Reza Shah Pahlavi in the Commander in Chief of Iranian armed forces uniform at right. Script: Bank-e- Markazi-e- Iran (Central Bank of Iran); Sad Rial (One hundred Rials); Date: 1350 (1971). Multicolored geometric and floral design.Maroon on orange and multicolored underprint. Signatures: Minister of wealth: Jamhid Amoozegar, General director: Mehdi Sami'ee. Yellow security thread.
Reverse: Three vignettes labeled: HEALTH, AGRICULTURE, and EDUCATION.
Emblems and symbolic features of the three improving hosts founded by the Shah's order in 1960's. Left: Host of Health. Middle: Host of repose and cultivation. Right: host of literacy.
Watermark: Young Mohammad Reza Shah Pahlavi in profile.
Printer: Thomas De La Rue & Company, Limited.
Dimensions: 130 × 67 mm.
Iran Banknotes
Banknotes of Shah Mohammad Reza Pahlavi era
2500th anniversary of the Persian Empire - 1 9 7 1
100 Rials Commemorative Banknote 1971 2500 year celebration of the Persian Empire
2500 year celebration of the Persian Empire
The 2500 year celebration of the Persian Empire, officially known as The 2500th year of Foundation of Imperial State of Iran, consisted of an elaborate set of festivities that took place on 12–16 October 1971 on the occasion of the 2,500th anniversary of the founding of the Imperial State of Iran and Persian Empire by Cyrus the Great. The intent of the celebration was to demonstrate Iran's old civilization and history to showcase its contemporary advancements under Mohammad Reza Pahlavi, the Shah of Iran. In the end, however, the gigantic and wasteful opulence of the event contributed to the downfall of the monarchy.
Planning
The planning for the party took a year, according to the BBC Storyville documentary Decadence and Downfall: The Shah of Iran's Ultimate Party, which interviewed the people tasked by the Shah to organize the party. The Cyrus Cylinder served in the official logo as the symbol for the event. With the decision to hold the main event at the ancient city Persepolis near Shiraz, the local infrastructure had to be improved including the Shiraz airport and a highway to Persepolis. While the press and supporting staff would be housed in Shiraz, the main festivities were planned for Persepolis that for this occasion would be the site of an elaborate tent city. The area around Persepolis was cleared of snakes and other vermins. Trees and flowers were planted and populated with 50,000 song birds imported from Europe. Other events were scheduled for Pasargadae, the site of the Tomb of Cyrus, as well as Tehran.
Tent City of Persepolis
The Tent City (also Golden City) was planned by the Parisian interior-design firm of Maison Jansen on 160 acres (0.65 km2) and took its inspiration from the meeting between Francis I of France and Henry VIII of England at the Field of the Cloth of Gold in 1520. Fifty 'tents' (actually prefabricated luxury apartments with traditional Persian tent-cloth surrounds) were arranged in a star pattern around a central fountain, and vast numbers of trees were planted around them in the desert, recreating something of how the ancient Persepolis would have looked. Each tent had direct telephone and telex connections back to its respective country and the whole celebration was televised to the world by way of a satellite connection from the site.
The large Tent of Honor was designed for the reception of the dignitaries. The Banqueting Hall was the largest structure and measured 68 by 24 meters. The tent site was surrounded by gardens of trees and other plants flown in from France and adjacent to the ruins of Persepolis. Catering services were provided by Maxim's de Paris, which closed its restaurant in Paris for almost two weeks to provide for the glittering celebrations. Legendary hotelier Max Blouet came out of retirement to supervise the banquet. Lanvin designed the uniforms of the Imperial Household. 250 red Mercedes-Benz limousines were used to chauffeur guests from the airport and back. Dinnerware was created by Limoges and linen by Porthault.
Festivities
The festivities were opened on 12 October 1971, when the Shah and the Shahbanu paid homage to Cyrus the Great at his mausoleum at Pasargadae. For the next two days, the Shah and his wife greeted arriving guests, often directly at the Shiraz airport. On 14 October, a grand gala dinner took place in the Banqueting Hall in celebration of the birthday of the Shahbanu. Sixty members of royal families and heads of state were assembled at the single large serpentine table in the Banqueting Hall. The official toast was raised with a Dom Perignon Rosé 1959.
The food and the wine for the celebration were provided by the Parisian restaurant Maxim's. The banquet menu was:
- Quails' eggs stuffed with golden, Imperial Caspian caviar (the Shah had artichokes as he was allergic to caviar), Champagne and Château de Saran
- Mousse of crayfish tails with Nantua sauce, Château Haut-Brion Blanc 1964
- roast saddle of lamb with truffles, Château Lafite Rothschild 1945
- Champagne sorbet, Moët et Chandon 1911
- 50 roast peacocks—Iran's ancient national symbol—with restored tail feathers, stuffed with foie gras, accompanied by roast quails and a nut and truffle salad Musigny Comte Georges de Vogüé 1945
- Glazed oporto ring of fresh figs with cream, raspberry champagne sherbet and port, Dom Perignon Rosé 1959 reserve vintage
- mocha coffee
- cognac Prince Eugène
Six hundred guests dined over five and a half hours thus making for the longest and most lavish official banquet in modern history as recorded in successive editions of the Guinness Book of World Records. A son et lumière show, the Polytope of Persepolis designed by Iannis Xenakis and accompanied by the specially-commissioned electronic music piece Persepolis concluded the evening. The next day saw a parade of armies of different Iranian empires covering two and half millennia by 1,724 men of the Iranian armed forces, all in period costume. In the evening, a less formal "traditional Persian party" was held in the Banqueting Hall as the concluding event at Persepolis.
On the final day, the Shah inaugurated the Shahyad Tower (later renamed the Azadi Tower after the Iranian revolution) in Tehran to commemorate the event. The tower was also home to the Museum of Persian History. In it was displayed the Cyrus Cylinder, which the Shah promoted as "the first human rights charter in history". The cylinder was also the official symbol of the celebrations, and the Shah's first speech at Cyrus' tomb praised the freedom that it had proclaimed, two and a half millennia previously. The festivities were concluded with the Shah paying homage to his father, Reza Shah Pahlavi, at his mausoleum.
The event brought together the rulers of two of the oldest extant monarchies, the Shah and Emperor Haile Selassie I of Ethiopia. By the end of the decade, both monarchies had ceased to exist.
Criticism
Criticism was voiced in the western press and by Muslim clerics such as Khomeini and his followers; Khomeini called it the "Devil's Festival". The Ministry of the Court placed the cost at $17 million; Ansari, one of the organizers, puts it at $22 million. The actual figure is difficult to calculate exactly and is a partisan issue, but may have exceeded $200 million. The defenders of the activities point out benefits such as the opening of museums, improvements in infrastructure and its positive effect on Iran's international public relations.